News & Views

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Anonymous (not verified)

Author: Joy Cuff ( née Seddon)

On my first visit to the Stanley Kubrick archives, I began looking through an inventory that detailed information on over 700 boxes that related to 2001: A Space Odyssey. My aim was to find some of the artwork that I had produced for this monumental film forty years ago.  At random, I selected two boxes noted as ‘Miscellaneous Polaroid’s and 35mm transparencies’. To my wonder and surprise, both contained photographic shots of the moons’ surface; I had indeed created a number of tabletop models of the moon and its’ complex surface.

Author: 
Ian Noah

Source: Graham Smith, Institute of Historical Research, London University (www.history.ac.uk)


This article provides an excellent introduction to Oral History, from Developments in Oral History Theory, Ethics and Legal Understanding to Technical Changes, Archives and the Future of Oral History.

Since the 1970s oral history in Britain has grown from being a method in folklore studies to become a key component in community histories. Oral history continues to be an important means by which non-academics can actively participate in 'making history'. However practitioners across a range of academic disciplines have also developed the method into a way of recording, understanding and archiving narrated memories.

Author: 
M Spence

Over recent months the BECTU History Project has been busily continuing its interviews with women and men from across the UK film and television industries. With nearly 700 recordings so far, it is one of the most extensive audio-visual archives in the world. 

Recent interviews have included:-

John Henshall 

John Henshall is an acknowledged expert in electronic photography and digital imaging. He started at the BBC in the 1960s, and left in the mid-1970s. As a DoP in the following years he helped establish the new genre of music videos, and did innovative TV work such as ‘Spitting Image’ and ‘Network 7’. 

Author: 
Anonymous (not verified)

This is a copy of a magazine article from 2012 in which "Janice Turner (Editor) reviews a study by Andrew Dawson and Sean P Holmes of the development of the BECTU History Project – from a reminiscence during an ACTT conference to an internationally important  archive".

Read the original article in full here:- History Project Article SSR April-May 2012 (1113Kb PDF)

Source: Stage, Screen & Radio, 2012

 

Author: 
Mike Dick

There are many reasons why knowing our history is important, and this is particularly so for trade unionists and trade unions.

In this era of YouTube, the iPhone, 3 D movies, Facebook, ultra high definition television , the BECTU History Project links us to a time when we worked in a different way. It tells the stories of the workers in our industry over the last 100 years – it tells about the challenges they had to overcome, the skills they developed, the enduring human relationships they forged as Britain developed into one of the world’s major centres of the film and television industry.

The BECTU History Project has just received, from Barri Hitchin, a donation of an interview with the great film maker Fred Zinnemann. Fred had a lot to say and his comment at the end of the interview about quality standards is very prophetic. 

Author: 
Simon Rose

50 Years of British TV Documentaries: A Diary of Decline, by a film editor - Simon Rose 2014

With his unique perspective of 50 years working in documentaries, Simon Rose describes the profound cultural and political changes that have transformed the genre.

 

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The History Project will once again be supporting the industry by participating in this very successful and popular annual event. This year, the 10th Anniversary of the Freelancer's Fair, we are aiming to provide a special showreel of interviews from our archives. Come and join us. Volunteers welcome!

For more details visit: https://www.bectu.org.uk/events/freelancers-fair

 

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The History Project is honoured to be presenting a workshop at this year's Annual Conference of the Oral History Society, which promises to be an unmissable event for anyone interested in oral history in the community. With the theme of Community Voices: Oral History On The Ground, the conference has an exciting and diverse range of papers lined up, covering themes such as project outcomes, hidden communities, inter-generational oral history and many more.

Author: 
Ian Noah

There has been some debate in oral history circles about the merit of full transcriptions over key word summaries. Summaries may certainly be quicker, demand limited resources, and prove useful for search engines, indexing and initial research purposes. However, there can be little doubt that - when it is possible and financially viable -  a full textual rendition of an entire interview recording fundamentally and exponentially enhances the value of the recordings by providing a substantial number of additional and important benefits:-